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 Richie Kotzen: Salting Earth (2017)

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Fecha de inscripción : 28/02/2013

MensajeRichie Kotzen: Salting Earth (2017)   Miér 4 Ene 2017 - 9:55

Salting Earth es el titulo del nuevo dico de Richie Kotzen. Saldra a la venta a principios de 2017 (aun no hay fecha concreta) y de momento ya tenemos portada cheers



Exciting news arrived for guitar heads and all blues rock music enthusiast as Richie Kotzen is set to release his new solo album in 2017. The Winery Dogs' vocalist/guitarist confirmed that news via his official social media page, adding another information which seems to be the upcoming record's title, “Salting Earth”. Unfortunately, Kotzen still hasn't confirmed any official date as just yet, giving that sense of curiosity among music fans who are keen on checking out the maestro's latest stuff. The positive thing, 2017 is just around the corner, so it might not take that long for music lovers to finally check out RK's new CD.

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MensajeRe: Richie Kotzen: Salting Earth (2017)   Vie 10 Feb 2017 - 16:00

Salting Earth saldra a la venta el 14 de Abril



"Salting Earth" track listing:

01. End Of Earth
02. Thunder
03. Divine Power
04. I've Got You
05. My Rock
06. This Is Life
07. Make It Easy
08. Meds
09. Cannon Ball
10. Grammy


Este es el primer single



Kotzen tossed convention on its ear by actually taking one step back in order to move two steps forward. "It's something I really needed to do in order to reset myself," he explains.

Kotzen's "charge to recharge" was officially put into play following the mega-success of the 2015–16 tour behind his band THE WINERY DOGS' sophomore effort, the oh-so-appropriately named "Hot Streak". And the man's reset manifesto wound up hitting all the right buttons too. The proof is on display deep within the grooves of "Salting Earth", which veers from the balls-out, heads-up declaration of the opening track and first single, "End Of Earth", to the burning-sky harmonic thrust of "Thunder" to the Prince-like funk-jazz swing of "This Is Life" to the acoustified take-me-as-I-am self-reflection of the album's final song, "Grammy".

The majority of "Salting Earth" is the result of Kotzen's one-man production machine, with the exception of Julia Lage adding background vocals to "Make It Easy", a tasty, sing-along groove stew. "It's really not deliberate when the record is finished and suddenly I'm the only performer on it," Kotzen admits. "It actually comes out of my process of writing and documenting my ideas. It started back in the late '80s when I had a makeshift studio in my parents' barn. I grew up fairly isolated, and I soon realized in order to get this music out of my head and onto a format where I could listen to it, I'd have to figure out how to do it alone."

Kotzen's previous solo release, 2015's diverse, far-reaching "Cannibals", was a well-received hit among his core fan base, and "Salting Earth" cuts like the aforementioned "End Of Earth", "Thunder" and "Divine Power" all showcase the scorching guitar solos and soaring vocals that one would expect from a Kotzen solo album. That said, there's also quite a vulnerable side on display here that's perhaps best demonstrated in the stripped-down approach to the album's closing salvo, "Grammy".

"That song came to me in the oddest way at the most inconvenient time," he reveals of the track that can be filed in the "first thought, best thought" category. One night when he was home alone, "I basically woke myself up with the chorus melody in my head, and in my haze, I knew that if I didn't at least record the idea, it would be forever lost. I ended up programming a simple drum beat, and then recorded the acoustic guitar. The lyrics pretty much wrote themselves. By 6 in the morning, the song was finished. I was going to do more overdubs, but I kept playing it over and over, and I just felt like there was something so personal coming out of the speakers. By messing with it, I'd likely destroy the magic — so I left it as it is."

Bringing "Salting Earth" live to the people is Kotzen's next holy mission. "My real outlet is touring — playing live as much as I can, wherever I can, whenever I can," he says enthusiastically. "It's one of the few things you can't copy, steal, or download. It's an engaging human experience that's a give-and-take between both the performer and the audience, and there is nothing else like it on this earth."


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